Erased 89
56 x 67, 5 cm, 2010
Six Lenticular prints.
This series explores the fleeting nature of historical moments and how their photographic capture can strip them of context, allowing images to be repurposed as powerful icons or tools of propaganda. Using lenticular print—a technique commonly found in postcards and advertisements—the work invites the viewer to see shifting images by altering their physical position. This dynamic interaction highlights the importance of perspective in shaping interpretation. The series also references the long-standing history of image manipulation, drawing attention to how visual narratives have been constructed and altered across time.